While this approach has some merits (you can gain confidence in soloing over a chord sequence quite quickly), the danger is that you miss the wider picture. Jazz and blues improvisation teaching is placing more & more emphasis on learning specific scales to fit a chord type. This can mean either repeating a phrase, or repeating it at a different pitch or with a few notes altered. Instead of stringing notes together you might think of them like a conversation (originally blues was a “call and response” vocal form). This means learning to play melodically or lyrically. Lee Allen & Herb Hardestyīut with blues improvisation, technique on its own won’t cut it, you need that extra magic that can make even an apparently simple solo sound somehow more relevant and memorable. Most of the great blues players knew their theory and practised hard to learn scales, arpeggios, patterns and licks (plenty of those on the saxophone lessons page) and how they fit around chord changes. It will sound OK and at least give you the confidence to stand up and solo in front of other musicians or an audience. Well, this approach can work when you are starting out. Some people think blues solos are easy: just learn a couple of minor blues scales and play them over the chords. Here is a link to the videoinstead How do you learn to play good blues solos? Your browser does not support the video tag. How do you learn to play good blues solos?.
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